I’m not entirely sure whether I owe thanks to Robert or Sophie at Viper for sending me a surprise copy of Vivian Dies Again by C.E. Hulse, but either way, I’m very grateful. It’s my pleasure to share my review of Vivian Dies Again today. 

Vivian Dies Again is published by Viper on 29th January 2026 and is available for purchase through the links here. 

Vivian Dies Again

Time heals all wounds. Except blunt force trauma.

Vivian Slade is a cautionary tale. The wrong side of thirty, she’s no longer the life and soul of the party – she’s a party of one. But she’s determined to turn over a new leaf, even if that means going to a family gathering where everyone hates her.

Turns out, someone really hates her – enough to push her off a balcony to a very messy end. But then Vivian wakes up! Only to be murdered again. And again. Stuck in a baffling time loop, Vivian’s only ally is a sleep-deprived waiter who just wants to finish his shift. Will Vivian be able to solve her own murder? Only time will tell…

My Review of Vivian Dies Again

Viv is having a bad day – again.

I have one tiny criticism to get out of the way before my review proper of Vivian Dies Again and that is that I could have done with slightly fewer expletives throughout. That said, they absolutely fit Viv’s life! Indeed, they do add to the humour and despite having murder at its heart, Vivian Dies Again is incredibly funny. Viv’s insight into the world around her is brilliant and her pithy statements frequently summed up my own opinions so that I laughed aloud on several occasions.

I thought Viv was a magnificent creation. She’s truly dreadful, so it’s no wonder people might want to murder her, and yet I loved her unreservedly. Her attempts to be a better person are thwarted at every turn and she still manages personal change and growth. She drinks to excess, takes illegal substances, steals and offends as if all these vices are all going out of fashion but she is the perfect anti-hero. She may not follow societal rules but she has a strong sense of morality, knows she is often in the wrong and, actually, is emotionally appealing because all Viv really wants is to be loved and accepted. I may have laughed at her as well as with her, but I was rooting for Viv throughout. Beneath her loud partygoing exterior is a vulnerability that balances her character perfectly. 

And my goodness does Viv experience a torrid time in this refreshingly different type of groundhog day. The plot is so entertaining and engaging. I loved the Shakespearean Touchstone nature of Jamie who helps lead both Viv and reader through the events of Vivian Dies Again, ensuring that Viv is able to change, murder is solved – though not necessarily the murder the reader is expecting – and solutions of many kinds are reached – though to say more would spoil the read.

The themes are just fantastic too. Certainly Vivian Dies Again can be read as a witty, entertaining story, but underpinning the narrative are thought-provoking and interesting considerations. Morality is questioned, but so too are concepts of family, friendship and marriage, making the reader think. I thought the exploration of chance and possibility was brilliant and, although I approached Vivian Dies Again expecting an easy, diverting read, it actually made me question aspects of my own life in a rather surprising manner so that it had depth as well as entertainment value.

It’s quite hard to categorise Vivian Dies Again. It is quite mad, huge fun and I thought it was fabulous. I really recommend it.

About C.E. Hulse 

Photo credit : Nathan Cox

C.E. Hulse lives in Manchester with her husband and a small controlling dog. She is the author of four books under the name Caroline Hulse: The Adults, Like a House on Fire, All the Fun of the Fair, and Reasonable People. Her work has been published in fourteen languages and optioned for television. Vivian Dies Again is her debut crime novel.

For further information, visit Caroline’s website or follow C.E. Hulse on X @CarolineHulse1 and Instagram.

My enormous thanks to Will Dean for giving me a very early copy of Adrift at Capital Crime last June, as one Lincolnshire dweller to another. I’ve been desperate to share my review of Adrift for months and, although there’s a few weeks still to go until publication, I can’t wait any longer. Consequently, I am delighted that Adrift is my first review of 2026.

I adore Will Dean’s writing and you’ll find my reviews of other books by Will here.

Adrift is published by Hodder and Stoughton on 19th February 2026 and is available for purchase through the publisher links here.

Adrift

Three of them adrift on the narrowboat.

Mother, son, and wickedness.

Peggy Jenkins and her teenage son, Samson, live on a remote stretch of canal in the Midlands. She is a writer and he is a schoolboy. Together, they battle against the hardness and manipulation of the man they live with. To the outside world he is a husband and father. To them, he is a captor.

Their lives are tightly controlled; if any perceived threat appears, their mooring is moved further down the canal, further away from civilisation. Until the day when the power suddenly shifts, and nothing can be the same again.

My Review of Adrift

Sam and his parents, Drew and Peggy, are living on a narrowboat.

My goodness! I don’t think I’ve ever read a more tense novel in my life. It’s astonishing. What Will Dean has done in Adrift is, quite literally, prevent the reader from breathing normally. My heart was pounding as I read and I was frequently aware I hadn’t exhaled for some time. And the most effective aspect of this is that much of the menace, the evil and the fear, is often merely suggested, so that the reader’s imagination is manipulated and disturbed. With coercive control as one of the themes of the novel, the author manages to create on the reader the same effect that Drew has on Peggy. 

That’s not to say that there are not highly dramatic moments too, from the very opening of Adrift through to the end, but rather than being the most disquieting elements, I found them more of a release from the tension. It was a relief when something awful happened! A couple of moments truly shocked me as I simply hadn’t seen them coming. Obviously I’m not going to spoil the story for others, but I found the plotting painfully exquisite in its construction and its impact on both characters and reader. Adrift is a masterclass in storytelling.

There’s a claustrophobic atmosphere in the way the family live on the houseboat. As Drew isolates Peggy mentally and emotionally, he also moves the family increasingly physically further away from society. Whilst what Peggy endures is filled with simmering menace that is mesmerising,  I found the developing relationship between Drew and Sam utterly terrifying. Drew is threatening and dangerous, frequently belittling Sam and yet he teaches Sam how to stand up for himself in the face of school bullies so that Sam’s life improves. There’s a chilling realisation that nothing in life is straightforward. Through their relationship, Will Dean explores the impact of nature and nurture, and the role of a father figure. Whilst Drew is abhorrent and we believe he carries out atrocious actions, there is also a seed of doubt that what has happened ‘off screen’ may not have been Drew’s fault. This is brilliantly manipulative.

I thought the themes of family, mental health, control, misogyny, friendship, love, marriage and relationship were superbly interwoven. I also adored the love letter to libraries and librarians that underpins the action. There’s a real affection for libraries as places of education and refuge, hope and solace that ameliorates some of the awful events and provides pitch-perfect balance in the narrative. 

I’m aware I’ve not really said anything tangible about Adrift, but it is so, so difficult not to provide spoilers. Adrift is one of those books that you find yourself thinking about in the middle of the night, wondering what is happening to characters after this particular part of their lives is over. It’s beautifully written without a wasted word so that it’s taut, terrifying and thrilling. I adored it. 

About Will Dean

Will Dean grew up in the East Midlands and had lived in nine different villages before the age of eighteen. After studying Law at the LSE and working in London, he settled in rural Sweden where he built a house in a boggy clearing at the centre of a vast elk forest, and it’s from this base that he compulsively reads and writes. His debut novel in the Tuva Moodyson series, Dark Pines, was selected for Zoe Ball’s Book Club, shortlisted for the Guardian Not the Booker prize and named a Daily Telegraph Book of the Year. Red Snow was published in January 2019 and won Best Independent Voice at the Amazon Publishing Readers’ Awards, 2019. Black River was shortlisted for the Theakstons Old Peculier Award in 2021. Will also writes standalone thrillers: The Last Thing to Burn, First Born, the top twenty hardback bestseller The Last Passenger and One at a Time.

For further information, visit Will’s website, follow him on X @willrdean and Instagram or find Will on Facebook.